
MFA-trained filmmaker and emerging scholar whose focused in exploration Middle Eastern and diasporic cinemas, cinematic memory, and the aesthetic relationship between visual and aural elements in film. With professional experience across documentary, narrative production, and editorial analysis, I aim to contribute to film studies through research that integrates historiography, philosophical aesthetics, and transnational media theory.
The Irishman (Feature Film, Martin Scorsese)
A Rainy Day in New York (Feature Film, Woody Allen)
If Beale Street Could Talk (Feature Film, Barry Jenkins)
Mr. Robot (TV Series, Sam Esmail)
Research: archival methods, film analysis, historiography
Languages: English (fluent), Arabic (fluent)