KERRY LO BIANCO

• Lead and delegated design, construction and sourcing of over 100 costumes
• Devised costume plot
• Devised and adhered to budget

• Created 9 innovative choreographic musical numbers in the styles of musical theatre, jazz, contemporary, comedic staging, and tap to enhance production quality.
• Partnered with Director, Musical Director and performers to align on artistic vision and execution.
• Led rehearsals, offering feedback to dancers for performance improvement.
• Modified choreography for varying skill levels among cast members, promoting inclusivity.
• Assessed and held dancer auditions, selecting top talent for roles for each musical number
• Established warm-up routines to reduce injury risk and support dancer longevity.

• Executed dynamic dance routines for live performances, enhancing audience engagement and entertainment value.
• Adapted quickly to diverse musical styles, showcasing versatility in dance forms
• Participated in rehearsals, demonstrating commitment to continuous skill improvement and teamwork dynamics.
• Engaged with audiences through expressive movements, fostered positive atmospheres during performances.
• Mentored less-experienced dancers, providing guidance on technique and performance quality.

• Adapted choreography for various event themes, ensuring alignment with client expectations and audience engagement.
• Collaborated with choreographers to create visually stunning routines for theatrical productions.
• Maintained stage presence during performances, delivering captivating interpretations of diverse dance styles.
• Assisted in costume fittings and maintenance, contributing to overall production aesthetics and functionality.
• Assisted in choreographing routines, contributing to the creative process and enhancing overall production value.

• Performed diverse dance routines showcasing versatility and adaptability.
• Adapted quickly to changes in choreography and production schedules, ensuring seamless performances.
• Engaged audiences through dynamic stage presence, enhancing entertainment value of performances.
• Maintained costumes and props, ensuring readiness for shows and preserving quality standards.
• Participated in feedback sessions post-performance, supporting continuous improvement of production quality.

Choreographed innovative and original choreography for a workshop series that embodied multimedia and mixed media art. An original contemporary dance duet portraying dynamics of a seemingly perfect fairytale relationship with a beneath the surface look into a toxic, misogynistic, co dependent and slightly erotic romp.

Designed a large 6ft by 6ft box with the accompanying art on the sides that dancers danced on, moved around and incorporated into the choreography. Designed and executed the mixed media art/murals that were mounted to the side of the box.

Choreographed and Danced in original choreography about searching for something....anything. The choreography portrayed a statue of a woman trying to break free of her stone and stagnant life. Wishing and fighting to break free from onlookers and her own image.

Designed and Constructed several statues moulded by my own body with starch/glue/gauze and metal riveting material. Statues were intentionally incomplete or missing body parts.

Choreographed and Danced contemporary dance in own creations for several festivals like Ffida and student showcases for York University. Most notable was "Voices from the Piilu" which was a spoken and dance performance piece with excerpts from Eve Ensler's "Vagina Monologues" and "Red and Blonde Roots" which is a vocal and contemporary dance piece.

Danced and collaborated with Tracey Norman for various events and festivals. Tracey's contemporary choreography is thought provoking, athletic and often has vocal or spoken elements.