Ayanda Chisholm

I assisted the Art Director in all her tasks for handling the aesthetics of the location and talent for a music video. I also doubled as a PA when necessary.

Reference | Christoph Schultz | directorschultz@gmail.com

• Enhanced video quality by applying color correction, grading, and special effects techniques.
• Streamlined the editing process for faster turnaround times by utilizing advanced software tools.
• Collaborated with production teams to ensure cohesive storytelling and visual continuity across multiple projects.

• Organized and worked with raw footage from multiple cameras and sources.
• Organized assets by collecting data from camera media, transcoding video, and managing file backup to digital asset management system.
• Managed my Editor's schedule
• Client communication
• Post production coordination with vendors
• Meeting and facilities management
• Monitored branding guidelines for creative development
• Asset distribution management
• Managed time efficiently in order to complete all tasks within deadlines.
• Demonstrated respect, friendliness and willingness to help wherever needed.
• Worked effectively in fast-paced environments.
• Used Photoshop to design graphics

Reference: Melanie Hider | Editor

Contact: melanie@saintseditorial.com

• Quickly learned new skills and applied them to daily tasks, improving efficiency and productivity.
• Carried out day-day-day duties accurately and efficiently.
• Demonstrated respect, friendliness and willingness to help wherever needed.
• Worked flexible hours; night, weekend, and holiday shifts.

• Organized assets by collecting data from camera media, transcoding video and audio files and managing file backup to digital asset management system.
• Exported final cuts and upload to content management system and client platforms.
• Participated in creative meetings to assist in developing ideas and defining project deadlines.

• Delivered edits with multiple camera angle choices, titles, graphics, audio and special effects.
• Evaluated and selected scenes for pacing, entertainment value and continuity, trim shots and edit content.
• Organized assets by collecting data from camera media, transcoding video and audio files and managing file backup to digital asset management system.
• Understood director's artistic vision and maintained alignment with vision throughout editing process.

• Proved successful working within tight deadlines and fast-paced atmosphere.
• Managed call sheets, assisted in assembling crew, etc.

• Developed project budgets and managed production costs.

• Presented production ideas and determined creative scenarios for production and delivery.
• Maintained project costs through careful budgeting and monitoring of expenditures.
• Realigned production schedules to factor in changing conditions such as materials shortages and evolving designs.

• Experimented with different lighting effects to deliver unique images.
• Selected and set up props, backdrops and lighting.

• Conceived creative design for lighting in all scenes
• Studied building schematics to determine location of wiring and equipment.
• Executed electrical wiring plans and other electrical systems.

• Overseeing post-production editing, special effects, music selection and performance's overall tone.
• Maintained high department standards in production of the film.
• Operated industry-standard cameras, lighting equipment and editing softwares
• Scheduled filming days and weekends, from pre-production meetings to final edits.
• Independently conceptualized creative direction of the film

• Coordinated with production team, producer and director to pinpoint creative vision, determine technical needs and devise shooting schedule.
• Worked with tight deadlines and budgetary controls to avoid waste and streamline costs.
• Evaluated scripts to identify creative production strategies and resource needs.

• Conceived creative design for product lighting
• Studied building schematics to determine location of wiring and equipment.
• Executed electrical wiring plans and other electrical systems.

Reference: George A. Peters II | Producer | george@georgetwopointoh.com

• Conceived creative design for lighting in all scenes
• Studied building schematics to determine location of wiring and equipment.
• Executed electrical wiring plans and other electrical systems.

Reference: Francina Smith | Producer | info@queenpenmediahouse.com

• Evaluated and selected scenes for pacing, entertainment value and continuity , trim shots and edit content.
• Edited video for digital distribution by managing graphics, sound, music mix and color correction.

Reference: Chris Jones | Producer | christopherjones2424@gmail.com

• Completed pre-production planning such as setting budgets, hiring crew and cast members and obtaining permits.
• Coordinated with production team, producer and director to pinpoint creative vision, determine technical needs and devise shooting schedule.
• Managed client contact, shoot scheduling and product deliveries.
• Conducted meetings with staff to discuss production progress and to attain production objectives.
• Evaluated scripts to identify creative strategies and resource needs for effective production.
• Determined ideal film locations, attained permits and planned shots to achieve intended results.

Reference: Qadr Amin | Producer | publicdweebproductions@gmail.com

• Guided producers and engineers in best story development practices and sound design concepts to encourage innovation in production technique.
• Presented production ideas and determined creative scenarios for production and delivery.
• Planned video shoots in studio and remotely by managing production through stages to completion.
• Maintained project costs through careful budgeting and monitoring of expenditures.

Reference: Qadr Amin | Producer | publicdweebproductions@gmail.com

• Performed post-production work, including assembling raw material, editing sound and sequences and providing final product within time and budget constraints.
• Organized assets by collecting data from camera media, transcoding video and audio files and managing file backup to digital asset management system.
• Demonstrated ability to understand director's artistic vision and maintain alignment with vision throughout editing process.

Reference: Larese King | Director/Producer | lareseking@gmail.com

• Reviewed and edited film by selecting best combination of performance, sequencing and timing to tell story.
• Exported final cuts and upload to content management system and client platforms.

I conceived the concept for and lead creative direction for a docuseries following the journey of building the brand Tusk Tulum. I also designed eye catching digital media for marketing purposes.

• Helped execute promotional activities to drive community engagement and increase occupancy numbers.
• Greeted and collected tickets of patrons at events.
• Provided customer service by selling tickets and merchandise, answering questions and distributing programs.
• Reviewed tickets for authenticity and applicability to particular event.
• Greeted guests with smile and provided friendly, knowledgeable service.
• Directed ticket holders to seats and facility locations.

Reference: Samah Ali

Founder | Sisterhood Media

samah@sisterhoodmedia.net

• Engaged with audience members through personal commentary on film, culture, political happenings and other items of interest.
• Evaluated and selected scenes for pacing, entertainment value and continuity , trim shots and edit content.
• Conducted meticulous research to identify information and answer multifaceted questions.

Reel Grrls Tapestry 360 Program (APRIL/18)

I assisted in teaching virtual reality filmmaking from pre to post production and lead a class on digital editing. I also participated as a mentor for the youth.

Reel Grrls Youth Apprenticeship (JULY-AUG/18)

I participated as a teaching artist and mentored high school/college aged youth in video production and client relations.

Reel Grrls Workshops: Present Your Best Selfie (JULY/ 18)

I assisted teaching photography foundations and how to have a healthy relationship with social media to Seattle youth.

BlvckGrrlsRising Summer Program (AUGUST/18)

I was a teaching artist and mentor for young Black girls aspiring to be filmmakers. I taught classes on film production from pre - post, and taught an introduction to Afrofuturism which was the focus of the program. We also led discussions in race and gender identity, media literacy, and social justice activism.

Reference: Nancy Chang
Executive Director | Reel Grrls
nchang@reelgrrls.org | 206-375-1132

• Evaluated and selected scenes for pacing, entertainment value and continuity, trim shots and edit content.
• Organized assets by collecting data from camera media, transcoding video and audio files and managing file backup to digital asset management system.

Reference: Larese King | Client | lareseking@gmail.com

I directed and edited the first season of the Crushing Corporate web series.

• Focused teams on developing innovative and cutting-edge approaches with effective resource allocation and strategic planning.

• Hired and directed teams to achieve daily and long-term operations and business goals.
• Assessed final products to check quality and consistency with creative vision.

Reference: Yoliswa Chisholm | Client | yoliswa@gmail.com

I came up with the trailer concept as well as edited it.

• Evaluated and selected scenes for pacing, entertainment value and continuity, trim shots and edit content.

Reference: Tamara Shanice

Founder of A Flower in Fire Productions

afifproductions@gmail.com

• Regulated sound qualities and volume levels during recording sessions to produce desired outcomes.

Reference: Imani Belser | imanifilms94@gmail.com

Was awarded and recognized in 5+ film festivals.

• Interpreted scripts to understand overall story and narrative style.
• Evaluated scripts to identify creative strategies and resource needs for effective production.
• Oversaw post-production editing, special effects, music selection and performance's overall tone.
• Independently conceptualized timelines, storyboards and themes of video projects.
• Determined ideal film locations, attained permits and planned shots to achieve intended results.
• Managed daily operations while overseeing multiple locations to foster increased productivity.

Reference: Tamara Shanice

Founder of A Flower in Fire Productions

afifproductions@gmail.com

I was hired to gather event footage using a C300 and Panasonic GH4 rig for TUF Festival '18.

Reference: Champ Ensminger

1.509.290.1993 | champensminger@gmail.com

I shot and edited original content for BLOX social media platforms as well as for it's clients.

• Shot and edited marketing videos to help businesses increase revenue.
• Collaborated with network executives to define and propel organization's mission and vision.
• Set up for shots according to production schedules, weather and lighting conditions and available equipment.
• Maintained over $10,000 worth of equipment by designing and sticking to preventive and regular maintenance schedules.
• Conserved footage archive by organizing, labeling and tagging with metadata.
• Collaborated with team members to develop content and message
• Established and adhered to detailed production schedules for over 10 projects.

Reference: Marco Shalma

Founder of BLOX NYC and Round Seven Films

marco@roundseven.com / 1 (646) 704 3335

For a 48 Hr Film Festival project. I assisted from pre to post production.

• Coordinated with production team, producer and director to pinpoint creative vision, determine technical needs and devise shooting schedule.
• Participated in meetings with producers and production crew to keep program in step with creative vision.
• Remained composed and highly professional in fast-paced and constantly changing environment, effectively handling challenging situations and difficult individuals to achieve objectives.

I edited The Perfect Nachos for Your Superbowl Party episode for their $30 Dinner Party series and served as an Assistant Editor on 40+ other pieces.

• Delivered edits with multiple camera angle choices, titles, graphics, audio and special effects.
• Organized assets by collecting data from camera media, transcoding video and audio files and managing file backup to digital asset management system.
• Evaluated and selected scenes for pacing, entertainment value and continuity, trim shots and edit content.
• Exported final cuts and upload to content management system and client platforms.
• Understood director's artistic vision and maintained alignment with vision throughout editing process.

Reference: Dan Byrne | Post Production Supervisor |

dbyrne@thrillist.com

Reference: Marco Shalma
Founder of BLOX NYC and Round Seven Films
marco@roundseven.com | 1 (646) 704 3335

I independently edit all visual content for For Black Girls aside from their documentary itself. I was responsible for the two documentary film trailers and edited numerous Instagram videos.

Reference: Ruby Taylor

rubyltaylor14@gmail.com

I developed the video concept and pitched it to the artist, from then on I've been responsible for managing all aspects of production from pre to post.

I directed and edited episodes 2, 3, and 5 of Season 1

Reference: Francina Smith

blackpantieswebseries@gmail.com

I have been directing episodes for the web series Everyday People which has been created and produced by Chris Richardson. I have been assisting him from pre to post production with a few producer responsibilities such as assembling the crew etc.

I was responsible for editing segments for the fashion series 'Werk It With Tiffany".

Reference | Francina Smith | sheisfransmith@gmail.com

I gaffed on set for a short film for the 48 Hr Film Fest.

• Executed electrical wiring plans and other electrical systems.
• Studied building schematics to determine location of wiring and equipment.
• Exceeded goals through effective task prioritization and great work ethic.

Reference: Christoph Schultz | directorschultz@gmail.com

• Alleviated issues between actors on set to keep projects on track and avoid delays or budget overages.

Reference: Imani Belser | imanifilms94@gmail.com

Reference: Katherine Filesata

kayfilums@gmail.com

The Young, Black, & Gifted (Web Series)

I conceived this web series and manage all aspects of production from pre to post. I am responsible for everything from casting to music supervision, location scouting, sound design, marketing, and web design for the official site.

• Completed pre-production planning such as hiring crew and cast members etc.
• Coordinated with production team, producer and director to pinpoint creative vision, determine technical needs and devise shooting schedule.

Reference: Carolina Rudas | carolina.r@digitalfilmacademy.edu

• Provided actors with dialog start points and other details for pick up shots.
• Read scripts to double check for continuity.
• Wrote reports on previous days productivity and complied paperwork for post-production.
• Watched scenes before and after post-production to check for continuity and script adherence.

Reference: Zach Nicholson | znicholsan453@gmail.com

• Coordinated with production team, producer and director to pinpoint creative vision, determine technical needs and devise shooting schedule.
• Remained highly composed and calm in very fast-paced, stressful and constantly changing environments to provide optimal leadership and achieve desired results.
• Observed tight deadlines to avoid waste and streamline costs.
• Received, recorded and addressed incoming and outgoing communication via telephone and email.
• Did schedule and script breakdowns

Reference: London Williams | drwilliamsabe@gmail.com

• Coordinated with production team, producer and director to pinpoint creative vision, determine technical needs and devise shooting schedule.
• Remained highly composed and calm in very fast-paced, stressful and constantly changing environments to provide optimal leadership and achieve desired results.
• Observed tight deadlines and strict budgetary controls to avoid waste and streamline costs.

Reference: Kaykay Sublime | kaykaysublime@gmail.com

• Coordinated with production team, producer and director to pinpoint creative vision, determine technical needs and devise shooting schedule.
• Remained highly composed and calm in very fast-paced, stressful and constantly changing environments to provide optimal leadership and achieve desired results.
• Observed tight deadlines and strict budgetary controls to avoid waste and streamline costs.

Reference: Robert A. Santos | robbie.a.santos1120@gmail.com

I acted as 2nd AD on set for B-Dubb and Tavon, written and directed by Darnell Harriston.

Reference: Darnell Harriston | darnellnym@gmail.com

I directed and edited 2 student films, each in less than a day based on class assignments. I also served as 1st AD on countless projects during this time.

• Coordinated with production team, producer and director to pinpoint creative vision, determine technical needs and devise shooting schedule.
• Observed tight deadlines to avoid waste and streamline the process.

Reference: Nakia Scott | nakiaraeproductions@gmail.com

I was hired to produce, direct, and edit both the short film and trailer for the visual poem Seasonal Illusions. I managed the project from pre to post production.

Reference: Tamara S. Hall | Producer | tamarashanicehall@gmail.com

Edited my short film 'Black Beauty in the Gaze' during a 6 word memoir challenge at the Reel Grrls Fellowship Program where I was responsible for all aspects of production 

WIF Seattle Promotional Video​​

• Developed design deliverables that elevated, differentiated and functioned on-brand and on-strategy
• Maintained consistent use of graphic imagery in materials and other marketing outreach
• Generated new ideas with limited direction and varied internal client needs
• Monitored production schedules while adhering to assigned budgets
• Created aesthetically-pleasing advertisements that complemented the products
• Responsible for music supervision